Thursday, 6 April 2017

Waterbury Symphony Orch estra (WSO) announces New Executive Director

Robert Cinnante is a community - driven arts leader with more than a decade of combined experience as a performer and arts administrator. His appointment as Executive Director at the Waterbury Symphony Orchestra, beginning May 2017

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Violinist Min Kym talks about when her life became unstrung

Min Kym had her Stradivarius violin stolen by an Irish man. It took years to come to terms with the loss, writes Hannah Stephenson

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Exciting new program will support young classical musicians from underrepresented communities

Do you know the next classical music superstar? The Philadelphia Music Alliance for Youth (PMAY) is launching a new project that will fully support current 4th-11th graders from underrepresented communities with whatever they might need to pursue their dream of becoming a professional classical musician.

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Cellist forced to leave American Airlines flight as his instrument poses 'safety risk'

John Kaboff – a former student of János Starker and William Pleeth, and founder of the Kaboff Cello School – had boarded the flight from Washington DC to Chicago when a flight attendant informed him that the pilot had asked that he leave the plane.

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To boo or not to boo? Royal Opera music chief defends vocal crowds

Sir Antonio Pappano says while latest trend of booing villains can be fun, but calling out a bad performance is a step too far

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Wednesday, 5 April 2017

One hundred and six young violinists representing 26 nations have submitted applications for the first Bartók World Competition & Festival - Violin Competition 2017.

The number of applicants skyrocketed in the final two days, perhaps partly due to breaking news arriving Friday that our Bartók clip promoting the competition had won a Silver Hugo prize in the Individual Commercials category at the 53rd Chicago International Film Festival.

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The Diva Departs: Renée Fleming’s Farewell to Opera

For Renée Fleming, the superstar soprano who will sing the Marschallin at the Met, and for music, this really is the end of an era: This “Rosenkavalier” may well be her farewell to staged opera.

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